Ancient astronauts

Ancient astronauts” (or “ancient aliens”) refers to the pseudoscientific idea that intelligent extraterrestrial beings visited Earth and made contact with humans in antiquity and prehistoric times. Proponents suggest that this contact influenced the development of modern cultures, technologies, and religions. A common position is that deities from most, if not all, religions are extraterrestrial in origin, and that advanced technologies brought to Earth by ancient astronauts were interpreted as evidence of divine status by early humans.

Ancient Astronauts Theory - http://Alamongordo.Com

The idea that ancient astronauts existed is not taken seriously by academics, and has received no credible attention in peer reviewed studies. Well-known proponents in the latter half of the 20th century who have written numerous books or appear regularly in mass media include Erich von Däniken, Zecharia Sitchin, Robert K. G. Temple, Giorgio A. Tsoukalos and David Hatcher Childress.

Proponents of the ancient astronaut hypotheses often maintain that humans are either descendants or creations of extraterrestrial intelligence (ETI) who landed on Earth thousands of years ago. An associated idea is that humans evolved independently, but that much of human knowledge, religion, and culture came from extraterrestrial visitors in ancient times, in that ancient astronauts acted as a “mother culture”. Some ancient astronaut proponents also believe that travelers from outer space, referred to as “astronauts” (or “spacemen”) built many of the structures on Earth (such as Egyptian pyramids and the Moai stone heads of Easter Island) or aided humans in building them.
Various terms are used to reference claims about ancient astronauts, such as ancient aliens, ancient ufonauts, ancient space pilots, paleocontact, astronaut- or alien gods, or paleo- or Bible-SETI (search for extraterrestrial intelligence)

Ancient astronauts hypothesis of creation

Proponents argue that the evidence for ancient astronauts comes from documentary gaps in historical and archaeological records, and they also maintain that absent or incomplete explanations of historical or archaeological data point to the existence of ancient astronauts. The evidence is argued to include archaeological artifacts that they deem anachronistic, or beyond the accepted technical capabilities of the historical cultures with which they are associated. These are sometimes referred to as “out-of-place artifacts”; and include artwork and legends which are interpreted in a modern sense as depicting extraterrestrial contact or technologies.

Scholars have responded that gaps in contemporary knowledge are not evidence of the existence of ancient astronauts, and that advocates have not provided any convincing anecdotal or physical evidence of an artifact that might conceivably be the product of ETI contact. According to astrophysicist Carl Sagan, “In the long litany of ‘ancient astronaut’ pop archaeology, the cases of apparent interest have perfectly reasonable alternative explanations, or have been misreported, or are simple prevarications, hoaxes and distortions”

Hypothesis origins and proponents

Paleocontact or “ancient astronaut” narratives first appeared in the early science fiction of the late 19th to early 20th century. The idea was proposed in earnest by Harold T. Wilkins in 1954; it received some consideration as a serious hypothesis during the 1960s. Critics of the theory emerged throughout the 1970s, discrediting Von Daniken’s theory. Ufologists separated the idea from the UFO controversy. By the early 1980s little remaining support of the theory could be found.

Shklovski and Sagan

In their 1966 book Intelligent Life in the Universe, astrophysicists I. S. Shklovski and Carl Sagan devote a chapter to arguments that scientists and historians should seriously consider the possibility that extraterrestrial contact occurred during recorded history. However, Shklovski and Sagan stressed that these ideas were speculative and unproven.

Shklovski and Sagan argued that sub-lightspeed interstellar travel by extraterrestrial life was a certainty when considering technologies that were established or feasible in the late 1960s; that repeated instances of extraterrestrial visitation to Earth were plausible; and that pre-scientific narratives can offer a potentially reliable means of describing contact with aliens.

Sagan illustrates this hypothesis by citing the 1786 expedition of French explorer Jean-François de Galaup, comte de La Pérouse, which made the earliest first contact between European and Tlingit cultures. The contact story was preserved as an oral tradition by the preliterate Tlingit. Over a century after its occurrence it was then recorded by anthropologist George T. Emmons. Although it is framed in a Tlingit cultural and spiritual paradigm, the story remained an accurate telling of the 1786 encounter.

According to Sagan, this proved how “under certain circumstances, a brief contact with an alien civilization will be recorded in a re-constructible manner. He further states that the reconstruction will be greatly aided if 1) the account is committed to written record soon after the event; 2) a major change is effected in the contacted society; and 3) no attempt is made by the contacting civilization to disguise its exogenous nature.”

Additionally, Shklovski and Sagan cited tales of Oannes, a fishlike being attributed with teaching agriculture, mathematics, and the arts to early Sumerians, as deserving closer scrutiny as a possible instance of paleocontact due to its consistency and detail.

In his 1979 book Broca’s Brain, Sagan suggested that he and Shklovski might have inspired the wave of 1970s ancient astronaut books, expressing disapproval of “von Däniken and other uncritical writers” who seemingly built on these ideas not as guarded speculations but as “valid evidence of extraterrestrial contact.” Sagan argued that while many legends, artifacts, and purported out-of-place artifacts were cited in support of ancient astronaut hypotheses, “very few require more than passing mention” and could be easily explained with more conventional hypotheses. Sagan also reiterated his earlier conclusion that extraterrestrial visits to Earth were possible but unproven, and improbable.

Erich von Däniken

Erich von Däniken was a leading proponent of this hypothesis in the late 1960s and early 1970s, gaining a large audience through the 1968 publication of his best-selling book Chariots of the Gods? and its sequels.

According to von Däniken, certain artifacts require a more sophisticated technological ability in their construction than that which was available to the ancient cultures who constructed them. Von Däniken maintains that these artifacts were constructed either directly by extraterrestrial visitors or by humans who learned the necessary knowledge from said visitors. These include Stonehenge, Pumapunku, the Moai of Easter Island, the Great Pyramid of Giza, and the ancient Baghdad electric batteries.

Other Articles (Coming Soon)

  • Evidence cited by proponents

Source : Wikipedia

 

Royal Wedding Apocalyptic Rituals

Royal Wedding Apocalyptic Rituals

  • Adolf Hitler and Eva Braun got married on April 29th 1945, one day before they killed themselves.
  • The date of the wedding is April 29th, the feast day of St. Catherine. She was a virgin famous for her “Mystic Marriage” to Christ, which took place with a ceremony in which he gave her a wedding ring and crowned her as his queen.
  • Kate Middleton’s birth date of January 9th is on the feast day of St. Basilissa, who is famous for having remained a virgin even after her marriage.
  • Kate Middleton’s middle name, Elizabeth, evokes the image of England’s “Virgin Queen,” Elizabeth I (as does the name of William’s grandmother, Queen Elizabeth II.
  • Prince William’s mother Princess Diana, is very much a part of the royal wedding ceremony, with William having given Kate his mother’s engagement ring, thus proclaiming her the “new Diana.” Princess Diana’s namesake was the virgin hunter goddess, Diana, known as the Queen of May Day. This is a pagan festival, still celebrated today, which begins on the evening of April 30th, known as Walpurgis Night, and continues through May 1st. At this festival sexual fertility rites were performed by the king and queen of the land, in which they channeled the spirits of the goddess Diana and the “King of the Wood,” who was traditionally sacrificed afterwards.
  • In the Catholic Church, May Day is associated with the Virgin Mary, and they celebrate her crowning as the Queen of the May on this date.
  • In the traditional May Day ritual, the king to be sacrificed was served a special black cake that signified his doom. Prince William will break with tradition and be served a special chocolate cake with a “secret ingredient” made from a “secret family recipe,” while the rest of the wedding party consumes a more traditional white wedding cake.
  • Prince William, who was born on the Summer Solstice in 1982, during a solar eclipse, would in this instance represent the dying and reborn solar king of the ancient world, the “Lord of the Earth” who was embodied in the king who was sacrificed at Beltane.
  • The wedding takes place at Westminster Abbey, where the recently-rediscovered Cosmati Pavement is currently being restored. This mysterious mosaic, on which the monarchs of Britain are crowned, represents the exact center of the cosmos, and contains a code predicting the date of the end of the world.

Royal Wedding Apocalyptic Rituals

Secret end times message found encoded in Westminster Abbey coronation floor

When the next king of England is crowned, he will go through the same sacred ceremonies as his illustrious predecessors. Like them, just before being crowned, he will be anointed with oil from the Holy Land. This takes place under a canopy that is lowered over the monarch’s head so that the public cannot see the actual moment of anointing. As soon as the oil is poured, according to tradition, the Holy Spirit enters into his or her body, transforming him or her into a divine being. He or she literally becomes another person, and from then on may take whatever titular name they find appropriate.

The next coronation, however, is going to be even more special, because it will take place on top of a mosaic representing the exact center of the cosmos, and the end of time. That mosaic was created in 1268 by the command of King Henry III, but it has not been seen at the coronation for over 150 years. It is called the “Cosmati Pavement,” and it has only recently been rediscovered. It was hiding under a carpet this entire time. Strangely, however, the same traditional spot for the coronation has continued to be used, just with the monarch and everybody else supposedly ignorant about what lay beneath his or her feet. It is now being restored so that the next king to reign will have the honor of standing upon it as the Holy Spirit enters into him.

To some extent, all monarchs typify the archetype of the original “Lord of the Earth” upon which their title and role is based. This primordial figure was viewed by the ancients as King Saturn, and I have already written a great deal about this in my essay series “Regnum in Potentia,” Part 1 and Part 2. The castle and throne of that king was always seen as the symbolic “center of the Earth,” the pole axis upon which the universe rotates. The king was seen as playing a pivotal role in that process as a conduit between Heaven and Earth.

Through him, the pattern on Earth modeled that of Heaven, but the two worlds were also thought to be kept separate by the polar throne, which literally was viewed by ancient man as keeping the sky, and the ethereal realm it represented, from collapsing into, and thus annihilating, the land of the living. But upon his throne, at the seat of his power, both worlds existed simultaneously, as did all moments in time. This is how the primordial King Chronos or Saturn, the god of time, was viewed back then, and this same essential symbolism was adopted by the monarchs of every civilization that came afterward.

It was in this mythical timeless realm, at the center of the world, that the Cosmati Pavement at Westminster Abbey was created to represent. A Latin inscription around the perimeter of the work states: “The spherical globe here shows the archetypal macrocosm.” There is a riddle in the tiles pertaining to the end of time, which helps tocalculate the final date. The Latin inscription gives the clues. Here are those clues, as translated by John Flete (from the official Westminster Abbey website):

In the year of Christ one thousand two hundred and twelve plus sixty minus four, the third King Henry, the city, Odoricus and the abbot put these porphyry stones together.

If the reader wisely considers all that is laid down, he will find here the end of the primum mobile; a hedge (lives for) three years, add dogs and horses and men, stags and ravens, eagles, enormous whales, the world: each one following triples the years of the one before. The meaning of this has already been worked out by Richard Sporley, a monk who resided at Westminster in the Middle Ages. He wrote:

The ‘primum’ mobile means this world, whose age or ending the writer estimates, as he imagines it, by increasing the numbers three-fold

Sporley had worked it out that a hedge has a lifespan of three years, with nine for a dog, twenty-seven for a horse, eighty for a man, and so on. The most interesting item on the list, here translated “enormous whales,” was actually referred to as “sea serpents” on the archeology program “Time Teams” on British television, with a very mythical lifespan attributed to them.

Sea serpents, also known as “dragons,” were very important to our ancestors. The Leviathan of the Hebrews, and Tiamat of the Sumerians, were viewed as representations of the primordial chaos that had given birth to the universe, and would one day swallow it again (or in the case of Leviathan, be swallowed itself). In the meantime, a monarch must always reign on the throne of the Lord of the Earth. By bearing the weight of the “primum mobile” on his own shoulders, he prevents chaos from overtaking the earth, and postpones the day of judgment. This is the image of St. George subduing the dragon that is now emblematic of England, for whom he is the patron saint. Although George was not one of them, the English frequently canonized their monarchs, attributing saintly and magical qualities to them, including the ability to heal and to protect their kingdom from evil.

When you add up the mythical ages of all the animals given, including the man and the sea serpent, then multiply them by three as the inscription tells you to, you get 19,683. I am not exactly sure what creation date we are supposed to state from. I have heard television presenters say that the code means the world will end at 19, 683 AD. But as far as I can tell, no beginning date is in fact given, and therefore the exact end date is not known. (Full Article).

Acorns, the May Queen, and the Golden Age economy

The Middleton family has been given a new Coat of Arms, featuring acorns and oak leaves, “because of the family home being located in oak-filled countryside,” according to a report from ITN. Oaks and acorns are symbols of the King and Queen of May Day, the Green Man and Diana. As I have shown, Prince William and Kate Middleton seem to have crafted their entire wedding to esoterically reenact the pagan Beltane fertility ritual of the Green Man, or the King of the Wood, to Diana, the Virgin Queen of Heaven.

Historically this ritual was performed by the real king and queen, acting out the roles of the god and goddess, to ensure plenitude in the land. In pre-Christian times (and long afterward), monarchs were thought to be both literally blood descendants of the gods as well as symbolic embodiments of them and host or channels of these ancestral spirits. There was believed to be a sympathetic connection between the fertility of the Queen’s womb and the fertility of the land. The goddess Diana was seen of as the protector of childbirth, particularly that of the royal heir, and it was her job to ensure that there always was one.

Moreover, acorns were, according to legend, the primary food of the people of the Golden Age, ruled over by Saturn, the ‘Lord of the Earth’ and the ‘Lord of Misrule,’ the primordial archetype for all kingship. Acorns seem to have been the ur-currency, the measure of wealth and plenitude at a time when there was plenty for all, and therefore no need for governments to protect property, or monetary systems to regulate its exchange. Author Nigel Jackson explains it well in Masks of Misrule :

Saturnus, whose name derives from ‘Sator’ — ‘Sower,’ presided over the dawn of time, the first Aion which was the Golden Age of Latium, a paradisal epoch when all were free, there was no hierarchy and life was blissful, unknowing of toil or suffering. The humanity of King Saturn’s age were innocent of pain or sin and lived on acorns. This is the shamanic terrestrial paradise, the ‘time before time’ of mythic consciousness when heaven and earth were still unseparated and we existed in primal ecstasy, at one with the celestial and natural worlds.

Also, in Don Quixote by Miguel de Cervantes, the title character gives a speech about the economy of the Golden Age. He takes up a handful of acorns and, “contemplating them attentively,” says the following :

Happy the age, happy the time, to which the ancients gave the name of golden, not because in that fortunate age the gold so coveted in this our iron one was gained without toil, but because they that lived in it knew not the two words “mine” and “thine”! In that blessed age all things were in common; to win the daily food no labour was required of any save to stretch forth his hand and gather it from the sturdy oaks that stood generously inviting him with their sweet ripe fruit. The clear streams and running brooks yielded their savoury limpid waters in noble abundance. The busy and sagacious bees fixed their republic in the clefts of the rocks and hollows of the trees, offering without usance the plenteous produce of their fragrant toil to every hand. The mighty cork trees, unenforced save of their own courtesy, shed the broad light bark that served at first to roof the houses supported by rude stakes, a protection against the inclemency of heaven alone. Then all was peace, all friendship, all concord; as yet the dull share of the crooked plough had not dared to rend and pierce the tender bowels of our first mother that without compulsion yielded from every portion of her broad fertile bosom all that could satisfy, sustain, and delight the children that then possessed her.

As a side note, now that we understand the acorn as a symbol of Saturn’s Golden Age and of wealth held in common, perhaps we now understand why this imagery was at one time used by the American political action group ACORN (Association of Community Organizers for Reform Now). (Full Article)

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Source

Tracy R Twyman

Twyman on Royal Wedding Ritual

Twyman Golden Age Economy